Winona Ryder joins a clique of students called the Heathers while Christian Slater plays the demon on her shoulder, encouraging her to kill them.Įdgar Wright has great flair for visual expression and narrative economy. This 1988 cult film is up there with Election and Mean Girls as one of the great high school-set comedies, with a more potent air of irreverence. Amiable and well paced, it’s the sort of comedy that comes across as effortless-because the filmmaker made so many good decisions in their writing and direction.Ī comedy so dark the prefix “black” barely begins to cut it. Yet another contemporary take on Cyrano de Bergerac, writer/director Alice Wu finds a fresh queer perspective in the story of a brainiac student (Leah Lewis) who writes beautiful love letters for a jock (Daniel Diemer). The titular fox (irresistibly voiced by George Clooney) goes toe to toe with farmers intent on destroying him, his craftiness given the ultimate workout. This witty adaptation of Roald Dahl’s children’s novel is a kitschy and kooky pleasure, every frame a delight. Stop-motion animation allows Wes Anderson to accelerate his already intensely fastidious style. Shirkers, Stories We Tell) to construct a Buñuelian outlook, the real world forming a kind of purgatory, or waiting room before the inevitable. Working on the premise that part of the lovable 84-year-old has already left the building, Johnson uses the personal documentary genre (i.e. Refusing to accept that her elderly father is on the way out, director Kirsten Johnson decides to celebrate his life by killing him off in various ways-from crushing him with a falling air conditioner to making him bleed out on the street. A dream cast of Aussie talent play the patients-cum-thespians including Jacki Weaver, Toni Collette, Pamela Rabe, Barry Otto and David Wenham.ĭick Johnson is Dead (2020) Watch on Netflix It’s an excellent high concept, executed a little shaggily but with plenty of irresistible moments-particularly during rehearsals. When two young kids get complete mind control of their malevolent principal, mayhem ensues.īen Mendelssohn plays a theatre director who gets a job directing a play for a psychiatric facility, starring the inmates. This reflects the director’s attitude: keep moving, keep poking every scene for opportunities, keep shifting realities. “This whole visual storytelling thing is hard”, says a character in David Soren’s gloriously kiddish pastiche. Bubby’s venture into wider society is an unflinching portrait of mental illness and much more-including a social critique formed from the protagonist’s, shall we say, unique life experiences.Ĭaptain Underpants: The First Epic Movie (2017) WATCH ON NETFLIX Its various boundary-pushing sequences tend to be discussed only in hushed tones. Rolf de Heer’s notorious classic about a tortured soul (Nicholas Hope) who spent the first 35 years of his life locked in a grubby apartment still, after all these years, almost defies description.
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